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Pepsi vs. Coke: Reimagining the Cola Wars with Real Mascots

What if the cola wars had actual characters — not just celebrities? A thought experiment about the most mascot-starved category in advertising.

·3 min read

Coca-Cola has the Polar Bears and Santa Claus (they basically invented the red-coat Santa in 1931). Pepsi has... whoever's on tour. Madonna. Michael Jackson. Britney Spears. Beyoncé. Kendall Jenner. Each one rented for a campaign cycle, each one retired when the check cleared.

This is the cola wars' dirty secret: Coke has mascots. Pepsi has celebrities. Those are not the same thing. And the difference explains why Coke has been winning the brand-affinity war since the 1890s despite Pepsi consistently having the better price and often the better flavor in blind tests.

Why Coke's mascots compound

The Polar Bears show up every winter. They haven't changed. The commercial format is the same — bears, snow, contour bottle, warmth. Every year it plays. Every year it works, because the bears are owned, meaning the equity from every previous ad transfers to every new ad.

Santa Claus is even better. Coke didn't invent Santa, but they canonized the modern version. Every December, when families open a Coke at a dinner, there's a cultural hum of associations — red, warmth, family, tradition — that the brand has been depositing for ninety years.

Celebrities don't do this. Madonna's 1989 "Like a Prayer" Pepsi commercial was pulled after one airing due to controversy. Michael Jackson's 1984 Pepsi commercial ended with his hair literally on fire. Britney Spears left to do Coke campaigns. Pepsi doesn't own them.

What Pepsi should have done

Pepsi should have invented its own character in 1963 and stuck with it for sixty years. Instead it rebranded its logo twelve times and rotated celebrities like an agency.

The counterfactual is easy to imagine: a young, urban, Gen-Z-coded mascot character introduced in the 1970s. Someone who represents the "new generation" Pepsi has always claimed to own. By now that character would have as much equity as the Polar Bears do for Coke.

Instead, Pepsi has to re-teach the audience who they are every few years. It's exhausting. It's expensive. And it's why Pepsi has spent sixty years being the number-two cola despite being, by most measures, a better-tasting drink.

The scene the brands deserve

Coke's Polar Bear, sitting in a booth, warm and slow: "How long have you been here?"

Pepsi's 2024 celebrity spokesperson, checking her phone: "This quarter."

Polar Bear: "And before that?"

Spokesperson: "Someone else."

Polar Bear: "I've been here since 1922."

Spokesperson: "Cool. Is there Wi-Fi?"

Polar Bear: "I... don't know what that is."

Spokesperson: "Exactly."

Long pause. The Polar Bear reflects on whether staying the same for a century was a good idea. The spokesperson is already looking at her next campaign brief.

The lesson for every category

Every category has a Coke and a Pepsi. A brand that builds long-lived mascot equity, and a brand that rents celebrity association. The Coke strategy compounds. The Pepsi strategy doesn't.

Nike has the Swoosh as a persistent mark. Adidas rents athletes. Guess which has higher brand-affinity scores. Ford has the Blue Oval and occasional celebrity placement. Chevy has Chevy Chase's ad from 1976 and not much else.

If you're building a brand, resist the urge to rent fame. Build a character. Commit to it for decades. Pay the short-term cost of low celebrity gloss in exchange for the long-term equity of an asset you actually own.

Or don't. And ten years from now, your competitor will have a Polar Bear and you'll still be paying Beyoncé.

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